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Maya Kulenovic - Painting oil on canvas - NEBULA, 2011, oil on canvas,
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Maya Kulenovic - Painting / oil on canvas
fullscreenMaya Kulenovic - Painting / oil on canvas
fullscreenMaya Kulenovic - Painting / oil on canvas - LITHIUM, 2011- 2012, oil on canvas
fullscreenMaya Kulenovic - Paintings
fullscreenMaya Kulenovic - Painting / oil on canvas Horse
fullscreenMaya Kulenovic - Painting oil on canvas
fullscreenMaya Kulenovic - Painting /oil on canvas
fullscreenMaya Kulenovic - Painting oil on canvas - NARCOLEPTIC
fullscreenMaya Kulenovic - Painting / oil on canvas - mirage - 30x30
fullscreenMaya Kulenovic - Painting / oil on canvas - MAN OF STARS, 2011, oil on canvas
fullscreenMaya Kulenovic - Painting / oil on canvas - lady of passing
fullscreenMaya Kulenovic - Painting / oil on canvas - firstlight
fullscreenMaya Kulenovic - Painting - FIGURE OF RAIN 2011, oil on canvas
fullscreenMaya Kulenovic - Painting oil on canvas - portrait
fullscreenLes toiles envoûtantes de Maya Kulenovic
Les toiles envoûtantes de Maya Kulenovic (Canada)
Maya Kulenovic – Painting / oil on canvas – MAN OF STARS, 2011, oil on canvas
« (Sur ses portraits) …. la préoccupation de l’artiste semble être, non pas la création d’une image, mais la présentation d’un état psychologique. Quand on regarde ces (portraits), on se rend compte qu’ils sont en fait la clé du travail de Kulenovic considéré dans son ensemble. les natures mortes, les compositions architecturales et les paysages dans leur essence, tentent d’identifier et de présenter un état particulier d’être. Cette qualité est ce qui rend son travail si envoûtant… (source : wikipedia)
“(about her portraits) …. the artist’s preoccupation seems to be, not the creation of a likeness but the presentation of a psychological state. When one looks at these (portraits), one realizes that they are in fact the key to Kulenovic’s work considered as a whole. The still lifes, the architectural compositions, and the landscapes are also, in their essence, attempts to identify and present a particular state of being. This quality is what makes her work so haunting…”
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