Angoulême 2013 : Focus sur certaines expositions vues durant le Festival (1/2)

Angoulême 2013

Cette année encore, les expositions du Festival International de la Bande dessinée montraient à la fois la richesse et l’éclectisme du Neuvième Art.

Une quinzaine d’expositions « officielles » balisaient le parcours du festivalier auxquelles s’ajoutaient d’autres événements similaires à visiter sur le site : « Squarzoni » à la Maison des peuples et de la paix, « Sergio Toppi » à la Cathédrale, « Les Collectifs affichent » (Les mains sales, Scutella, Eidola…) au Conseil Général…

Beaucoup d’événements… et les quatre jours ne sont pas suffisants pour les couvrir en totalité.

Compte tenu de ce manque de temps flagrant, il m’a fallu faire des choix. J’ai privilégié ce que j’avais envie de voir et ce que je souhaitais découvrir. Les trois expo-phare (JC Denis, Uderzo et Mickey & Donald) étant visibles un peu partout sur la toile, je vous laisserais le soin de surfer à votre guise pour les découvrir :P

La Bande dessinée algérienne

Clic pour agrandir

A l’occasion des 50 ans de la BD algérienne, cette exposition retrace son histoire.

C’est parmi ces dizaines de milliers de lecteurs que sortiront, après l’indépendance du pays en 1962, les premiers dessinateurs de BD algériens

Durant les quatre jours de Festival, l’Atelier Magelis a mis son espace à la disposition des auteurs algériens. Une rétrospective de cinquante ans de publications : dessins de presse, strips, récits complets, nouvelles illustrées…

On pouvait ainsi découvrir toute la richesse de ces publications Outre-Méditerranée dans lesquelles on retrouve tous les styles graphiques qui font la richesse de la BD franco-belge.

Dans cette exposition collective, des réalisations d’Ahmed Hebrih, Gyps, Le Hic, Denis Martinez, Kamel Khelif, Sofiane Belaskri, Bouchra Belhadji, Bouchra Benmeziane, Nawel Louerrad…

BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

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BD algerienne

" data-orig-size="768,1020" data-image-title="BD algerienne 18" class="attachment-thumbnail" data-orig-file="https://chezmo.files.wordpress.com/2013/02/bd-algerienne-18.jpg" height="90" width="67" data-comments-opened="1" data-large-file="https://chezmo.files.wordpress.com/2013/02/bd-algerienne-18.jpg?w=640" alt="BD algerienne 18" data-image-meta="{"aperture":"2.4","credit":"","camera":"LT15i","caption":"","created_timestamp":"1359825584","copyright":"","focal_length":"4.1","iso":"1250","shutter_speed":"0.02","title":""}" data-medium-file="https://chezmo.files.wordpress.com/2013/02/bd-algerienne-18.jpg?w=225" />

Présentation « 50 ans de BD algérienne » sur le site du FIBD.

Au nom de la loi

Exposée au Palais de Justice d’Angoulême, la présentation de cette exposition avait pourtant un slogan accrocheur : « De Daredevil au juge Bao, de la France à l’Amérique ou à la Chine, comment la justice s’incarne-t-elle dans le 9e art ? Une exposition originale explore les représentations de cette institution dans la bande dessinée ».

Disposés dans le hall principal du Palais de Justice, des panneaux organisaient les publications en fonction d’une thématique géographique (production franco-belge, anglo-saxonne, asiatique…). De grandes affiches, dont la qualité de papier était assez sommaire (papier journal), présentaient les œuvres les plus marquantes et les plus significatives de la collection « Justice/Justicier ». La mise en page de chaque affiche était assez sommaire : genèse de l’œuvre (contexte social, politique…) et traitement du sujet par les auteurs.

Concrètement, l’une des moins belles expositions d’Angoulême. Austère, peu attractive et trop didactique… je ne m’y suis pas attardée outre mesure.

Au nom de la loi

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Au nom de la loi

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Au nom de la loi

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Au nom de la loi

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Au nom de la loi

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Au nom de la loi

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Présentation « Au nom de la loi » sur le site FIBD.

Les Arcanes d’Andreas

Click

Direction le Musée d’Angoulême pour pouvoir profiter de cette Exposition consacrée à l’un des grands maîtres du Neuvième Art.

Andreas est l’auteur de nombreux récits :  Capricorne, Rork, Cromwell Stone, Arq…

L’occasion parfaite pour se sensibiliser et/ou profiter de nombreuses planches originales dans lesquelles le dessin est foisonnant de détails et où le moindre élément (jusqu’à la plus petite feuille d’un arbre luxuriant) fait l’objet d’une attention particulière.

Impressionnante production et magnifique plongée dans les mondes fantastiques d’Andreas.

Les Arcanes d’Andeas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Les Arcanes d’Andreas

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Présentation des « Arcanes d’Andreas » sur le site du FIBD.

Comès à « L’ombre du silence »

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A l’ombre oui… une superbe exposition pourtant étriquée dans un espace confiné (sous-sol du Théâtre d’Angoulême).

Une cinquantaine d’originaux étaient serrés en rang d’oignons… ils auraient pourtant été mis en valeur dans un lieu plus à même d’accueillir ces planches… Pour cela, le petit Hôtel particulier Saint Simon (qui avait accueilli l’expo consacrée à Fred en 2012) aurait été le lieu idéal.

Comès « À l’ombre du silence »

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Comès « À l’ombre du silence »

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Comès « À l’ombre du silence »

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Comès « À l’ombre du silence »

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Comès « À l’ombre du silence »

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Comès « À l’ombre du silence »

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Comès « À l’ombre du silence »

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Malgré tout, l’immersion dans l’univers de Comès était à la portée de chacun et nous a permis de contempler des visuels de Silence, La Belette, Dix de Der, Les Larmes du Tigre… J’espère qu’ultérieurement, le FIBD saura saluer à sa juste valeur les travaux de cet auteur.

Présentation de « Comès à l’ombre du silence » sur le site du FIBD.

A suivre…

(suite des Expos dans la Partie 2/2 d’ici quelques jours)