Je pense que ce qui pour moi donne autant de force a cette Basilique c'est le temps qu'il faut pour la construire. Commencée en 1882, la Sagrada Familia est un temple expiatoire c'est a dire qui n'est construit qu'a l'aide de donations (et des tickets pour la visiter). Heureusement pour nous, les techniques de construction ont bien évolué depuis 1882 permettant une accélération fulgurante des travaux.
There are place like that which leave a permanent mark on you. The Sagrada Familia is one of those. I've seen it a few times in my life, the last time I was 18, in high school and the Passion side had recently been unveiled.
I think what gives so much strength to this Basilica is the time needed to build it. Started in 1882, the Sagrada Familia is an Expiatory Church, meaning that it's built on donnations (and entrance tickets) only. Thankfully for us the building techniques have tremendously evolved since 1882 allowing for an acceleration of the on going work.
If I had seen the outside and the Passion and Nativiy sides during my previous visits, it was the first time that I could see the inside. It's only been open since 2010. And what a nave...
While the wind was owling outside, inside it was quiet. We weren't alone and yet the side imposed calm and respect. It's so different from what can be seen in other Churches of the world, both slightly gothic and 100% modern. What fascinated me beyond the architecture was the light.
In a room near the Nativity facade, there is a small exhibit explaining Gaudí's relationship to nature where he took his inspiration. Suddenly the first impressions find names, it is indeed a forest of colomns, tree knots, branches. I can't help but think about Miyazaki's work and especially Nausicaa.
Above the nave are four glass(?) oval representing each one of the evangelists.
In a way the basilica has few decorations per say: no painting, few sculptures. However the lack of flat surfaces, the ever present geometrical forms and the stain glassed windows starting to replace the glass fill the space while keeping a simplfied/purified look.
We took the time to admire the Nativity facade. On one hand you have the Passion facade: modern, with simple lines and geometric, on the other hand: he Nativity side: an explosion of sculptures and gothic details.
Nous avons découvert que durant la Guerre Civile, les maquettes de Gaudí ont était en grande partie détruites. D’où d'ailleurs l'une des controverses actuelles qui dit que l'on construit sans être sur a 100% que ce soit vraiment les plans de Gaudí. Les maquettes ont été restaurées et c'est visible avec les restaurations qui bien visible de leur blanc tout neuf contre les originaux grisâtres.
After almost loosing our vertebraes from looking up, we went underground. Below the basilica is the crypt of course, but also some of the workshops and a great museum about the contstruction of the Sagrada Familia. It was fascinanting. We found out that during the Civil War, Gaudí's models were mostly destroyed. Hence the current controversty regarding continuing the work with little of his original plans. The models have been renovated and it's obvious with the new sections a sparkling white against the grey originals.
I really liked the drawings of the Passion facade. There is also a tiny room, barely lit with original drawings from Gaudí. The details and finesse of his work is absolutely remarquable.
Also, while the work seem to be going well, there is still a lot to do. The Glory facade is undergoing construction, and there is still Jesus tower to build, the one that will culminate above the Basilica, Gaudí wanted it to be visible from the sea (poor guy, he didn't plan for sky scrappers). What seems incredible is that they think they'll be done by 2030 (they hope for 2026 which would be the centennial of Gaudí's death).
Once back outside I feel that my admiration doubled. With Hubby we promised one another to come back once it's finished.
If I refered to the Sagrada Familia as a Basilica, it's not a mistake. In November 2010, the Pope came and dedicated the church as a Basilica. In fact there are several pictures from the event. What I loved is that Pope or not, the Holy Man and his Cardinals all did like we did. Their eyes looked up and their necks were bent backwards admiring the work of an incredible architect and the people who choose to carry on his crazy project.